Late nineteenth century, small rocky island off the coast of New England. A young man named Ephraim Winslow (Robert Pattinson) arrives on the island: he has been hired to spend a month’s watch at the lighthouse in the company of an old lighthouse keeper, whose name is Thomas Wake (Willem Dafoe).
Wake is a grumpy and mischievous old man who claims to be a former sailor. From the very beginning, Wake treats Winslow like his slave: he does not allow him to go upstairs to the lantern, and Winslow has the hardest job: to carry coal in a wheelbarrow, to scrub everything in the building, to carry heavy cans of kerosene.
In the evenings, Thomas is used to drinking rum, which is strictly prohibited by the rules. Ephraim must drink with him, and he refuses, but Wake does not accept refusals, and over time, Winslow becomes an even more bitter drunkard than Wake.
The month of work at the lighthouse is not very pleasant: Thomas keeps digging up Ephraim, but he eventually grows bolder and begins to answer the old fart in the same spirit, and then a new attack – just at the moment when they were supposed to be replaced, the weather deteriorated sharply, a storm began, so they remained locked up on this island for a few more weeks, or months, and Winslow’s roof really began to go.
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Director Robert Eggers made his mark with the art-house horror film The Witch, which raved the critics at the Sundance Film Festival. Eggers has been praised for his masterful creation of eerie atmosphere, not with special effects and make-up, but with old-school directorial techniques like Hitchcock. At the same time, it must be said that ordinary viewers also appreciated this film: Eggers’ directorial debut collected a very good box office, showing a TCC as much as 7.18 (a TCC equal to three – the picture at least paid off).
Eggers’ new film was initially, shall we say, quite ostentatious. Filmed on black and white film, and even in an extremely specific, almost square format, in which they filmed about ninety years ago, when sound was just appearing in films and it was required to chop off a large space from a 35 mm frame in 4: 3 format to record a sound track (she then it was optical), resulting in a format of 1.19. Plus, only one or two locations, two people in a small room for almost the entire film – and any critic, as soon as he heard that there were so many “goodies”, he immediately felt that this should be watched immediately, by all means! Of course, I would like the frame to be round or oval, but still you can’t demand everything at once, you need to be satisfied with less.
What the crew did very well to achieve was to create an extremely depressing environment. An angry, constantly farting old man (his farting is such a means of expression: in this way he demonstrates that he is at home, he is in charge here and he doesn’t feel shy at all), telling terrible stories from his maritime past, and go and understand, was it real or is he just terrifying Winslow; a young guy who is gradually driving like a cuckoo from all this and can no longer understand whether he really fucked a mermaid or he imagined it; a nasty one-eyed gull getting a guy; sexual savagery, alcoholic get-togethers with a sharp change of mood from “yes, I’ll break you now” to “yes, I’ll put you in right now”, the physical feeling of dirtiness and mustiness of this place, where two smelly – literally – men are locked up with each other and where they already poorly distinguish between dream and reality.
The director deliberately did not chew anything in this picture, on the contrary – he did everything in order to entangle the audience with a bunch of all sorts of both readable and unreadable references, but what does this and that mean there – think for yourself, you are given full scope for inferences.
What’s with the lighthouse lantern Wake doing naked on his night shifts? Why is he so crazy – just from the light? Or does he have a sauna with blackjack and mermaids? However, in terms of mermaids – it’s more like Winslow.
Proteus is a sea deity. By the way, the old man of the sea – well, why not Wake? And why is he a farting deity here, well, you know, deities – they are different. Some of them have very peculiar habits.
Played, by the way, perfectly, and if you always expect this from Defoe, then everything was not very clear with a thousand-year-old vampire with an unwashed head, but Pattinson has long been boldly moving away from Twilight and starring in all sorts of interesting and complex projects, remember the same buzz times, and here it was just a real challenge, which Pattinson accepted – and showed himself in the picture more than worthy!
Lighthouse / The Lighthouse movie meaning
Director: Robert Eggers Cast: Robert Pattinson, Willem Dafoe, Valeria Karaman, Logan Hawkes, Kayla Nicolle, Sean Clarke, Pierre Richard, Preston Hudson, Jeffrey Krats
Worldwide gross: $17 million
Mystery drama, Canada-USA, 2019, 109 min.