Here we are for the third Avengers film and the 19th movie in the Marvel Cinematic Universe series. (“Who knows what adventures The [Avengers] will have between now and when the series becomes unprofitable.”) The MCU has been an above-average experience for me with a high point of Winter Soldier and the least enjoyable experience being Age of Ultron. Now, we get to finally see all of the different corners of the MCU come together, which turns out to be a lot of fun. But at the same time, does this story give us high drama or are the cornerstones of the plot indications of the whole thing being just a cheap shell game? Spoilers follow!
I knew going into Ready Player One that there would be a never-ending parade of nostalgia geared toward people around my age. What I didn’t realize was that it was the sole focus of the movie. While that does sound like something that COULD work, my conclusion is that it doesn’t.
And to be clear, I’m reviewing the movie only. I’ve never read the book, nor do I think that should be required for seeing the movie.
I thoroughly reject the argument that you won’t get this movie if you are not a gamer. I wouldn’t call myself hardcore, but I’ve been playing video games for nearly my entire life. The fact that the movie’s plot is covered in a video game wrapper doesn’t matter. Nearly all action adventure movies conform to The Hero’s Journey just as this movie does – there’s not really anything new happening here in terms of structure. Most adventure stories have a down-on-their-luck hero (Marty McFly, Billy Peltzer, Luke Skywalker, etc) with a love interest, then he overcomes threshold guardians to ultimately beat the bad guy and win the day. That’s just how these movies work.
The real problem with Ready Player One is the lack of world building backstory (I don’t understand how a corn syrup drought created a dystopia and so on) and a cast of characters that just don’t compel. I wasn’t actively rooting for the protagonists to fail, but I wasn’t excited when they won, either. At a late point in the movie, I just wanted it to be over because the end was so telegraphed and obvious that I was starting to get bored.
In concept, I would think I’d like Ready Player One. The movie is all about 70’s, 80’s and 90’s pop culture (which is very much my bag), but it wasn’t charming. Instead, it’s beyond forced. Maybe that’s the problem – references work when they’re subtle, not when they’re the sole focus and reason something exists. That’s when something stops becoming a reference and just becomes the plot. Yeah, I saw the campaign poster from Back to the Future in the background, big deal. That didn’t make the movie better. Yes, I see the Iron Giant too, except this film seems to be missing the entire point of its to titular character and if you were going to ignore the moral, then why leave out the giant gun that lives inside his chest? When the good guy army was rushing toward the bad guy, I think I saw a Battletoad in there, but honestly, everything image is so saturated with characters and things that I feel like the movie is really just an advertisement for the Blu-ray. By this I mean the movie is intentionally visually dense to the point where the only way to really see all of its bloat is to watch it at home while continuously pausing it and examining each frame. I guarantee you that when this movie hits the aftermarket, you’ll see every single website in existence write an article entitled All The Stuff You Missed in Ready Player One. It’s coming, I promise you – if they’re not here already.
The thing is, I didn’t hate the movie. I wasn’t particularly bored or frustrated with any one scene, it’s just that the movie as a whole is bland. I didn’t really feel anything while watching this movie. At all. I appreciated all the work the zillions of digital animators did on this movie and I think that if Steven Spielberg didn’t direct it would be a horrible mess, but that’s about the only positives I can rattle off.
When when it comes down to it, Ready Player One is an underdeveloped movie that tries to make up for its own shortcomings with nostalgia and flashy visuals, but it’s just not enough. The only reason to see this in the theater is because every image is so cluttered that if you care about seeing every single thing, the bigger it is the better.
According to Liz Lemon, Tootsie (the movie where Dustin Hoffman dressed in drag to get a job) is the example they use in all the screenplay books on what to do when writing a movie. The Book of Henry is, by contrast,a clinic in what NOT to do. It’s just- the thing is… I can’t even! Well, I’ll try to explain.
I can’t remember the last movie I saw that was as frustrating as A Wrinkle in Time. The trailer didn’t have me jumping out of my seat with excitement, but I was intrigued by the premise, so here I am, reviewing a movie I liked more than I didn’t and sort of recommend. Here come the spoilers! Read the rest of this entry
Did you see Pacific Rim? I did. It was… you know, fine – I sound a lot more excited in the review then I am now. But that movie has Idris Elba. He makes everything okay. So I wasn’t exactly jumping up and down and sprinting to my local theater to see Pacific Rim Uprising, yet here we are and I can at least say that this movie will give you exactly what it promises: big robots fighting big monsters.
And unlike any of the Transformers movies, I can actually tell what’s happening and it’s not a confusing mess.
So now that we’ve got that out of the way, if you have any interest in giant monsters, you’ll probably like the second installment in the Pacific Rim series which I assume will go on until we’re all dead or the series becomes unprofitable. That’s not such a bad thing because these movies don’t really try to get heavy; they concentrate on doing what they do best: CGI grudge matches. This second installment does an even better job of keeping the talking parts to a minimum and making sure that they’re not excruciatingly painful. Good performances and somewhat interesting characters help – and I appreciate an attempt to do something interesting with a character – it sure goes a long way in getting this movie to the finish line.
If you’re the kind of person who wonders why inter-dimensional aliens can only transport themselves to our world through a rift they open at the bottom of the ocean and whether or not building giant robots to fight giant monsters would be the best uses of resources in a world ending event and why they can only be piloted by two people who are mentally linked, you should probably not watch these movies. They’re mostly for enjoying the spectacle, but unlike the sadistic Transformers movies, they don’t have contempt for the audience. They’re just fun, filled with wacky fights and decent character work by quality performers. It’s not the sort of movie you can debate or even talk about much, it just is, and what it is is good. I don’t think anyone will write about the Pacific Rim film series at any point when they look back on this period in cinematic history, but if you’re looking for a fun element of spectacle, you should check it out.
I hate to hurl a bunch of statistics at you, but I feel that they’re more relevant than usual. Out of 169 critics, 138 gave Game Night a positive review with an average rating of 6.7 out of 10. I think this, while not a ringing endorsement, sets expectations perfectly for the movie it aggregates.
If you’ve seen the trailer, I can understand that you might be filled with trepidation. The premise is so dumb even 80s comedies are blushing, but somehow, they make it work. The plot isn’t airtight and it’s fair to say that its biggest twists don’t exactly make sense, but it’s still fun. This movie tends to run the best jokes into the ground but the cast is so charming I don’t think you’ll mind.
The biggest difference between Game Night and its contemporary peers is that this movie seems to have a script filled with dialogue, setups and payoffs and is just generally trying. Most comedies I’ve seen lately rely heavily on improvisation and star power rather than any sort of attempt at something that smacks of effort.
I think the most important takeaway from Game Night is that Rachel McAdams is fantastic and she should be in every movie forever. The ensemble is strong, but I feel she’s the clear standout.
If you see Game Night, I think you’ll have a fun time at the movies and won’t feel cheated (ironically enough, The House doesn’t play by the rules). I don’t see us looking back on this movie as a comedy classic in ten years, but rather a passable evening at the movies.
The latest episode of Quick Reviews delves into the complexities of understanding the scores on the movie review aggregation site Rotten Tomatoes.
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The second movie in a Trilogy is almost always the best installment. This makes a lot of sense; the first movie has already introduced the heroes so you don’t have to deal with nearly as much setup exposition. This means the movie can go straight to exploring the plot and associated conflicts. (See The Dark Knight for perhaps the best example of this.) But Star Wars: The Last Jedi won’t have this luxury because The Force Awakens asked a ton of questions it had no interest in answering.
AND DON’T TELL ME I NEED TO READ A BUNCH OF STAR WARS NOVELS OR VISUAL DICTIONARIES! I’M NOT DOING THAT!
So, here are just a few questions The Force Awakens asked that The Last Jedi needs to answer: Read the rest of this entry
So many movies. So many choices! Once I thought of writing this post, I realized I could sit here forever, and instead, I’ve decided to go with whatever comes to mind first. So, in no particular order and without a slight to other films, here are my 5 Favorite Opening Movie Scenes at this exact moment in time. Read the rest of this entry
The Will Reading World Premiere is rapidly approaching! Please join us for free (yes, FREE!) ON Wednesday, June 21, 2017 at the Ciccone Theatre in Paramus, NJ at 7:30 PM. You can get your FREE TICKETS by clicking here or calling the box office at 201-447-7428! (You may see a button that says “Buy Tickets” or something to that effect, but trust me – it’s FREE!)
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