I decided not to bury the lead.
So yeah, this movie is not good. 3000 Miles to Graceland opens with two silly looking digital scorpions fighting each other. The metaphor and connection to the plot is, in a word, forced. Anyway, the basic premise is five guys dressed up like Elvis during an Elvis impersonator weekend in Las Vegas rob a Casino. Your brain is going to make you expect to see a scene where they all disappear into a crowd of Elvis’s (or Elvie?), but it never happens. That’s a recurring motif in the movie; the thing the plot seems to pointing to never happens. (The studio decided not to release this movie under its original title: Shattered Expectations.)
And don’t bother waiting for the climactic fight between Kevin Costner and Kurt Russell, because there isn’t one… I guess I just made this point, so moving on.
Besides its own fundemental plot issues, the other big problem with 3000 Miles to Graceland is the characters. You sort of root for Russell, but you don’t sympathize with him, and you don’t really like anyone else. Costner is sorta fun in a bad guy you love to hate sort of way, but you don’t want him to win, and Courtney Cox is just a dispicable excuse for a character you’re supposed to relate to, because you can’t get behind a mother abandoning her son with someone who just got out of prison.
Add I was really surprised when that woman snowballed Costner, but that’s beside the point.
So you’re sitting there, watching the movie, wondering how much longer it could possibly be (it’s a grueling 2+hours), Ice T shows up out of nowhere (Howie Long also pops in and out, doing basically what he did in Broken Arrow) and gives you false hope but provides two of the biggest laughs of the movie, one intentional, one not.
At the end of the day, 3000 Miles to Graceland is bloated and pleases no one. The action isn’t exciting enough, the characters are too flat and the plot barely holds together, so you can’t write it off a genre flick when it doesn’t adhere to any conventions of any genres – except poorly made movies.
3000 Miles to Graceland is streaming on Netflix – proceed at your own risk.
I desperately want everyone to refer to Man of Steel as Superman Returns Again. (For some reason, that is very funny to me.) Anyway, Man of Steel is a bit of mess (yet still entertaining), and so, my review is also just a rambling jumble of headings, a list that is trying to find its place on the internet, much like Superman trying to find his place in the world. See what I did there? Yeah, the movie is just as subtle as this review. Read the rest of this entry
First, watch the trailer for The Company Men:
Looks good, right? In fact, this is one of the most promising trailers I have seen in a while – although keep in mind I just saw the Transformers 3 trailer… just awful. (I hope NASA is as pissed off as I am.) But yes, it looks like there are all the elements of a good story here along with a promising cast, including Ben Affleck as the guy who lost his job, Tommy Lee Jones and as Chris Cooper his former coworkers, Craig T. Nelson as their boss, and Kevin Costner as Affleck’s brother in law, who is sporting a Boston accent – guess he heard I was ripping on him for not doing a British accent in Robin Hood: Prince of Thieves.
The problem with this movie is… well, it’s just not very good. If somebody pitched the idea of doing a movie about downsizing on a corporate level, it sounds like the stuff Oscars are made of, right? The problem here is I don’t believe this movie for a second. The characters are one dimensional and largely unsympathetic. I’m sorry, I love Tommy Lee Jones as much as anybody, but it’s pretty hard to believe that Maria Bello would have an affair with him – and what’s with the totally random shot of her rack? I love rack as much as anybody, but there was no need to include a shot of her rack while she was getting dressed. It felt like they were there shooting the movie and a producer called the director’s cell and said, “Hey, do me a favor: get some tits into this movie any way you can. Nothing says authentic drama like tits.” Its that kind of movie; you find yourself wondering, what the hell is happening here? Isn’t a million dollar home excessive for an executive that makes under $150k a year? I don’t understand the way Affleck’s character was written – it’s like they were thinking about doing the five stages of grief with him after he lost his job, but in the end, they decided, “Fuck it, lets just do denial, a little anger, and a dash of acceptance.” Why is Cooper’s character the flattest, least interesting character ever? His suicide isn’t a surprise; you’re waiting for it. In the first five minutes of the movie, his character promises to “take an AK47 to the place” if they fire him… The guy is literally throwing rocks at the office building after he gets fired… it’s the most inauthentic thing you’ll ever see on film. When Affleck gets a job working with Costner as a carpenter, you expect it to go somewhere, for Affleck to learn something besides his brother in law isn’t so bad after all. Or, maybe he’ll get good at carpentry. Or maybe that his Porsche and his country club membership weren’t so important after all. But no, that doesn’t happen. Meanwhile, Tommy Lee Jones leaves his wife after he gets fired… presumably because she bought a really expensive end table (like over $10k) in a previous scene… or because he’s having an affair… I don’t know. There just isn’t enough content in the movie to explain it. Then he decides to start his own company and he hires Affleck and they are pretty much back where they started before they got fired and the movie ends. There is no rivalry with the old company – I was thinking it might have been interesting to do a “you were doing business the wrong way, we’re doing it the right way and we’ll be more successful than you,” sort of angle, but it can’t because the movie is over. (And not a moment too soon, it’s a long 104 minutes.) The movie just always leaves you feeling… I don’t know, flat. You never feel what the movie intends for you to feel – when Cooper’s character dies, you don’t fee bad – he was a miserable man, you’re sort of glad he’s dead so you don’t have to listen to him complain anymore.
OK, I’m going to leave it there. The movie isn’t unwatchable, but on a whole, it just doesn’t work. The characters are crappy and the plot is kind of pointless. It’s an ensemble drama that wants to do character portraits, but it doesn’t devote hardly enough time to any of the characters, not even Affleck, who is the star of the damn movie. Nobody really learns anything, nobody changes… There are some good performances in here (sorry, Chris Cooper – I know they wrote you into a corner, but your sad-sack whining just wasn’t working here), but it’s not enough to save the movie. I am neither recommending nor endorsing this movie – its crappy, but if there are no other movies to see, it’s watchable. It’s like the Coors Light of movies.