Category Archives: movie review
reviews of movies
Ah, the Oscars. It’s the proverbial mixed bag that I’ve finally figured out how to approach in the way that works best for me. It’s great that people pay attention to film and maybe some movies that otherwise wouldn’t get attention do (thank the lord they nominated Avatar in 2010), but I am not sitting through another three and a half hour snooze fest. Look how bored James Franco was, AND HE WAS HOSTING! AND THIS IS JUST THE FIRST FOUR MINUTES!
So I would say to use the nominees as a watch list rather than worrying about who wins, because you never know – you could wind up sitting there for 200 minutes and they give Best Picture to Return of the King instead of Mystic River. Anyway, the 89th Academy Awards is nearly upon us and while I didn’t get to see everything, here’s my take on what I did see.
Hacksaw Ridge – Bill Mechanic and David Permut
Uhm… this is a difficult movie to talk about. It’s cliche, it’s kind of three movies in one, the tone kind of waves around… but I still found it really compelling. Depending on how you feel about Mel Gibson, you may not want to give this movie your money, but all things being equal, I’d say it’s worth seeing.
Hell or High Water – Carla Hacken and Julie Yorn
I think this is the most well rounded movie on the list: acting, directing, editing, cinematography, etc… very impressive. I find this to be the best movie on this list.
Lion – Emile Sherman, Iain Canning, and Angie Fielder
This movie has some pacing problems, and I think some of it is intentional, but there’s also some editing issues in the sense that they left stuff in they didn’t need, there’s a seriously underdeveloped character in there… but man, that kid is MAGIC. There’s a lot of compelling stuff in here – I managed not to cry in the theater.
Moonlight – Adele Romanski, Dede Gardner, and Jeremy Kleiner
I think everybody should see this flick as there’s a lot of life experience in here that may be beyond a lot of people’s experience. Great acting, but I think this movie suffers a little from its desire to be stylistic… it’s a great movie, but there are definitely things could be trimmed and choices they made that are a bit pretentious for my taste.
Mel Gibson – Hacksaw Ridge
This movie looks like it was a monster to direct, and whatever my issues are with Gibson or the movie in general, I can’t deny that he’s doing good work here.
Barry Jenkins – Moonlight
I think Jenkins might have gotten carried away here and there, but his directing voice is strong and this movie is great.
David Mackenzie wasn’t nominated for Hell or High Water, so I’ll go with Jenkins here. Gibson did a fine job, but he’s only turning up the volume rather than reinventing the wheel.
Andrew Garfield – Hacksaw Ridge as Desmond T. Doss
I really like Garfield and this is his finest performance.
Meryl Streep – Florence Foster Jenkins as Florence Foster Jenkins
I’d say she’s a victim of her own success this time – she’s great, the control she shows as a singer here is amazing and I haven’t see the other actresses in those flicks, but she doesn’t need to win for this one.
Best Supporting Actor
Mahershala Ali – Moonlight as Juan
Ali turns in a great performance, but his role is small and probably not award worthy.
Jeff Bridges – Hell or High Water as Marcus Hamilton
Hey look, it’s Rooster Cogburn! Again, great performance, but I’d pass.
Dev Patel – Lion as Saroo Brierley
THey should have nominated Patel’s counterpart, Sunny Pawar – he was amazing. Pawar is my pick. FU, Academy!
Best Supporting Actress
Naomie Harris – Moonlight as Paula
She was great.
Nicole Kidman – Lion as Sue Brierley
This is a tough one. I refuse to pick. I reminded of a scene from In and Out where Matt Dillon says that performers are artists and they shouldn’t have to compete like dogs.
“Then why are you here?”
“In case I win!”
I couldn’t find that scene, so enjoy this clip instead:
Best Original Screenplay
Hell or High Water – Taylor Sheridan
I really appreciated the writing here, especially the ending.
The Lobster – Yorgos Lanthimos and Efthimis Filippou
“A lobster is an excellent choice.” I think I have to pick this one – there’s some great, totally unexpected stuff happening here. This movie deserves more attention than it got.
Best Adapted Screenplay
Lion – Luke Davies from A Long Way Home by Saroo Brierley and Larry Buttrose
This movie has some pacing problems and I don’t know who to blame – but the first hour is so good, who cares?
Moonlight – Barry Jenkins and Tarell Alvin McCraney from In Moonlight Black Boys Look Blue by Tarell Alvin McCraney
I think the screenplay pushed this movie in the right direction. I guess I’d pick Moonlight over Lion, but I’m splitting hairs.
Best Animated Feature Film
Kubo and the Two Strings – Travis Knight and Arianne Sutner
Zootopia – Byron Howard, Rich Moore, and Clark Spencer
This is tough, I loved both of these movies and they’re SO different. I’d say share it.
Best Original Score
Lion – Dustin O’Halloran and Hauschka
Moonlight – Nicholas Britell
The score from both of these movies made no impression on me, so I guess I don’t have a pick.
Best Sound Editing
Hacksaw Ridge – Robert Mackenzie and Andy Wright
These guys had a ton to do for that last hour or so and they did a great job.
Best Sound Mixing
Hacksaw Ridge – Kevin O’Connell, Andy Wright, Robert Mackenzie, and Peter Grace
Rogue One: A Star Wars Story – David Parker, Christopher Scarabosio, and Stuart Wilson
I’m going Hacksaw Ridge again – Rogue one is fine, but I don’t think it’s on the Hacksaw Ridge level.
Best Production Design
Hail, Caesar! – Jess Gonchor and Nancy Haigh
Man, this movie was disappointing. Not bad, I was just expecting more. Good production design, though.
Lion – Greig Fraser
Moonlight – James Laxton
I’ve got to go Lion on this one – I felt like the cinematography got in Moonlight’s way at times.
Best Makeup and Hairstyling
Star Trek Beyond – Joel Harlow and Richard Alonzo
Suicide Squad – Alessandro Bertolazzi, Giorgio Gregorini, and Christopher Nelson
Star Trek. No question.
Best Costume Design
Florence Foster Jenkins – Consolata Boyle
Best Film Editing
Hacksaw Ridge – John Gilbert
Hell or High Water – Jake Roberts
Moonlight – Nat Sanders and Joi McMillon
Hell or High Water – no question. One of the tightest movies I’ve seen in a long time.
Best Visual Effects
Doctor Strange – Stephane Ceretti, Richard Bluff, Vincent Cirelli, and Paul Corbould
Kubo and the Two Strings – Steve Emerson, Oliver Jones, Brian McLean, and Brad Schiff
Rogue One: A Star Wars Story – John Knoll, Mohen Leo, Hal Hickel, and Neil Corbould
I’ve got to go Kubo on this one. I’m looking for something new and Doctor Strange looked a bit too much like Inception and Rogue One, while a step forward for ILM, is basically just ILM dialing it up to eleven. The stuff they did in Kubo… wow.
Will Reading is now available at film festivals! Update #13 has all the details! And you can read some review snippets here!
And by “now available at film festivals,” I mean I have submitted to several film festivals and the movie has been upgraded from ‘submitted’ to ‘in consideration.’ Progress! If you’re interested in obtaining a copy of the movie for review or submission into your festival, please contact me here.
Here’s some pertinent info on the movie that film festivals and reviewers seem to want to know:
Running time……………………………………………………….81 min
Country of Origin ………………………………………..United States
Format …………………..1920×1080, 30fps, 1.78 (16×9), Sound 2.0
Official website: https://creativejamie.com/tag/will-reading/
Official Facebook: https://www.facebook.com/willreadingmovie/
Will Reading review by Mike Haberfelner (searchmytrash.com)
Will Reading review – The Movie Critic Next Door
Review: Will Reading by Rebecca Cherry (Film Carnage)
“WILL READING”— A Fun Comedy about a Morbid Truth by Amos Lassen
An Interview with Jamie Insalaco, Director and Star of Will Reading
by Mike Haberfelner (searchmytrash.com)
Clark Greg and Jennifer Grey star in The Road to Christmas, a movie with the most anti Italian bias you’re ever likely to encounter on TV. Read the rest of this entry
He’s a big city banker and she’s a… big city dance instructor. Small towns are great and big cities are stupid, but when these two dance, the sparks will fly in the Hallmark Channel’s COME DANCE WITH ME. Wait, is he doing an English accent now? WTF is going on? Holy Potato Balls, is he still doing it?
So… yeah. Come Dance With Me is a movie that exists starring Andrew McCarthy (who’s still got it, by the way) because he’s either out of money or bored and features… other actors in a technically sound yet lazily written made for TV Christmas movie because we keep watching them. Read the rest of this entry
I can’t find a trailer, but the whole damn movie is all over YouTube. At least it is for now.
It turns out that the Hallmark Channel has a subcategory for Christmas movies: Christmas mystery movies. The thing is, Finding Father Christmas is completely and totally short on mystery. Shockingly, it does makeup for this with heart. Read the rest of this entry
I have a million questions about Wish Upon A Christmas. And here they are! Read the rest of this entry
Merry Kissmiss is a 2015 Ion Television debut of the Standard Christmas RomCom variety in the sense that it steals plot points from other movies and invents new, horrible ones of its own. The difference here is that instead of stealing from a Christmas movie, they stole the opening premise from Serendipity. Let’s discuss. Read the rest of this entry
Journey Back to Christmas is probably the worst made-for-TV Christmas movie of 2016.
There, I said it. Read the rest of this entry
The Up Network presents a classic Christmas tale of an over privileged white girl who maxes out her Christmas card and must take a job walking a dog (to the dog park) in order to get herself the extravagant necklace that will enable her to keep up with her friends.
A Dogwalker’s Christmas Tale is truly a movie for the people. Read the rest of this entry
Take a dash of Cutting Edge and a smidgen of city shaming and combine with equal parts of Christmas to make the UP network’s Failing for Christmas… or is it Snow Capped Christmas? Perhaps this Canadian production was released with one title there and another in the United States? It doesn’t matter. It’s just your typical Rom Com made for TV Christmas movie schlock.
(I don’t know where that cooking metaphor came from. There’s just some cookie baking in this movie…) Read the rest of this entry
First D.J.: Okay, campers, rise and shine, and don’t forget your booties ’cause it’s cooooold out there today.
Second D.J.: It’s coooold out there every day. What is this, Miami Beach?
First D.J.: Not hardly. And you know, you can expect hazardous travel later today with that, you know, that, uh, that blizzard thing.
Second D.J.: That blizzard – thing. That blizzard – thing. Oh, well, here’s the report! The National Weather Service is calling for a “big blizzard thing!”
First D.J.: Yessss, they are. But you know, there’s another reason why today is especially exciting.
Second D.J.: Especially cold!
First D.J.: Especially cold, okay, but the big question on everybody’s lips…
Second D.J.: – On their chapped lips…
First D.J.: – On their chapped lips, right: Do ya think Phil is gonna come out and see his shadow?
Second D.J.: Punxsutawney Phil!
First D.J.: Thats right, woodchuck-chuckers – it’s
Both: GROUNDHOG DAY!
I mean A Christmas Wedding Date. A totally original movie that is in no way a Groundhog Day ripoff.