Thoroughbreds is a movie entirely built on character development
There’s something interesting about a movie that doesn’t rely on plot to push the story forward. When you watch a character study like Thoroughbreds, you get to enjoy a lot of nuance, and that’s become something of a lost art in the multiplex movie going experience.
Relationships, as we all know, are complicated. Whether by personalities, circumstances or happenstance, our perspectives on each other are colored by a multitude of things. How we and the ones around us react to these things is the fiber of what makes Thoroughbreds so much fun to watch. The revelations don’t come from a specific story point necessarily, but rather reactions and choices based on such a story point.
This isn’t an easy movie to talk about without spoiling it. There’s not a lot in the way of surprises or mystery as the movie unfolds at a natural and believable pace. There are certainly times when a few more story details could enhance the narrative, but with this kind of character study, they aren’t necessarily needed. Of this week’s current release calendar, critics and audiences seem to agree that Thoroughbreds is the best of the bunch, but I would go farther to say that it’s a good movie in almost any weekend. Check it out.