Category Archives: what the hell is this song about anyway
"Too Close" was released in 1997 by Next. It’s got a smooth, slick sound and full harmonies. I’ve never been one to have a great grasp on what people are actually saying, but "You’re making it hard for me" got my attention and I decided I needed to take a closer look at the lyrics.
I wonder if she could tell I’m hard right now, hmmm
OK, so much for metaphor. Guess we’re not burying the lead here, huh? I guess when they sing "You’re making it hard for me," they’re talking about ‘ol Mr. Penis.
Yeah, come on, dance for me baby, ha ha, yeah
Ut oh, you feel that? Alright
Come on, don’t stop now
You done did it, come on, uh, yeah, alright, hold on
"You done did it" kinda sounds like he’s blaming "baby" for his erection and she is now responsible for said erection. I gotta tell you, guys, I don’t think that argument is going to hold up at the club, at home or in court. Read the rest of this entry
Why I’m writing about Creed is going to take a while to explain. I’ll do my best to make sense of it all.
It all started when I was editing the Green Lantern movie review post. I was fixing a grammatical error when I noticed this:
Lemme zoom in for ya.
I thought, “Holy potato balls!” and nearly did a spit take all over my monitor. The fragment, “with arms wide open” was a line from the Creed song of the same name, but as soon as I think Creed, I remember their up tempo hit, “Higher.”
This reference hadn’t been relevant for over ten years when the post was originally published, and now, it seemed even more ridiculous. I made the decision to delete it, but I didn’t – I never shall. I just kept looking at it and thinking.
Musical Artists: think long and hard before you title a song ‘nothing.’ Make sure that you really, really want ‘nothing’ to be the title of your tune because you’re leaving yourself wide open to all sorts of puns and ridicule just on that one facet alone. Then one hears the lyrics and the real comedy begins. Read the rest of this entry
New York City has a rock station again… and they’re playing old Silverchair songs. This is better than not having a rock station, but in all honesty, this is not exactly filling the new music void just by playing “Tomorrow” or Fun’s “We are Young” three times a day. Anyway, let’s dig into this… this… song. I guess it’s a song. Read the rest of this entry
I’ve been hearing “We are Young” by Fun on the radio a lot lately, and I really like how it sounds (although it’s intense redundancy can only be tolerated for so long), but I have no idea what the hell it’s about – or exactly what is being said. To remedy that, I looked up the lyrics. Read the rest of this entry
If you haven’t heard it in a while, take a list to “Even Flow” by Pearl Jam from their 1991 debut album, Ten. I’m not even going to ask you what this song is about – let’s just focus on what in the hell Eddie Vedder is saying. This is a typical problem when it comes to Vedder’s vocal styling, but I have always felt that this is the best example of his yammering. Adam Sandler agrees.
Today, I listened to Genesis’ hits album, starting with “turn it on again.” What in the hell is that song about, anyway? Let’s take a look at the lyrics and try to figure it out.
Lady Antebellum’s song ‘Need You Now’ aka ‘Booty Call’ (what in the hell is this song about, anyway?)
I was in the liquor store the other day, and they had Z100 (or something similar) on the radio, and I was treated to Lady Antebellum’s song, ‘Need You Now,’ which I believe I heard earlier in the week at a grocery store. This time, I actually listened to the lyrics instead of immediately dismissing it for pop-country crap.
Don’t misunderstand; it is pop-country crap. But the lyrics take it to the next level. The first line of the chorus varies between the following:
It’s a quarter after one, I’m all alone and I need you now
It’s a quarter after one, I’m a little drunk and I need you now
Get that? Wow. First off, these lyrics just aren’t good poetry; it’s crap. Secondly, they seem to be romanticizing a booty call. Well done! You might say that, ‘Crash into me,’ by Dave Matthews Band has a similar theme, particularly when Matthews sings, “Hike up your skirt a little more, and show your world to me,” although when listening to the entire song, he seems to be romanticizing sex with someone he’s in a long term relationship with, given that he starts the song by referring to this person as the ball and chain. So if it’s the same idea, “Need you now,” is the worst possible version of, “Crash into me.” And I’m sorry, but there are no circumstances where you can romanticize a booty call. That’s why we call it a booty call instead of a romantic encounter.
Lets wrap it up by checking out that name: Lady Antebellum. In case you didn’t know, antebellum is latin for, ‘before the war,’ which makes sense, because this song may inspire you to raise an army and invade whatever country Lady Antebellum is from… oh really? Fuck! Again, don’t be mislead: this is not a solo artist, but instead, a trio of three people trying to ruin my life with their horrible music in the persons of Charles Kelley, Dave Haywood and Hilary Scott. So that means these lyrics presumably got through at least three people and everyone said, “These are fine.”
FUUUUUUUUUUUUUUUUUUUUCK! Poetry majors everywhere are weeping.